Seen in November…
Still from film Akira. Image from The Verge
I can't believe it's almost the end of December and I'm just posting this now. Oddly, it feels like I've been re-watching a lot of old stuff lately. Comfortable stuff. I'm not sure why that is. Perhaps it's just the time of year when we like to look back with a filter of nostalgia that casts a colour over everything we do. This list itself also has some old stuff on it. Maybe some of the new stuff will be the old nostalgic stuff of my future.
A very famous image from a very famous movie. Image from The Movie Db
Psycho
Classic Hitch. I had intended a whole “fright fest” for Halloween but meh… scary movies, like Christmas movies, play year round now. The story should be well known at this point. A secretary played by Vivian Leigh, is having an affair with a married man when she decides stealing $40,000 from her employer might be the answer to her problems. She hightails it out of town without much of a plan and runs into bad weather on the highway so she pulls over to the only motel in sight, the Bates Motel. There she meets young Norman Bates who we think may be under the heel of his demanding mother only to discover there’s more to this classic Freudian thriller than we know. This classic still holds up despite the plot and outcomes being part of popular culture. How many times have we seen the black humour of Bates disposing of his victim’s car being replayed in other films? Too many to count, though it’d be fun to try.
Hitchcock
Apparently, bio-pics are very difficult to make interesting. Not even the star power of Anthony Hopkins as Hitch, or the talent of Helen Mirren as his wife, Alma, can enliven this much. The film focuses on the year that Hitchcock, despite recent spectacular success can’t get his next project Psycho made by a studio so he mortgages his home and produces, writes and directs the film himself. Despite the dullness of the film, some intriguing points are raised, such as Hitchcock’s own creepy obsession with his blonde starlets (including a peep hole into Leigh’s change room) or Alma’s own frustration with the lack of credit she received as her husband’s collaborator. At one point when Hitchcock took ill and had to recover during filming, Alma took over direction and came up with one of the innovative overhead shots, of the private detective’s death on the stairs, that influenced directors for years afterward. Another fun fact from the film: Psycho was the first film to show a flushing toilet which defied Hollywood’s silly decency guidelines of the day.
Donald Sutherland and Julie Christie as a grieving, unmoored mother. Image from The Movie Db
Don’t Look Now
This 1973 film scared the life out of me as a kid. I don’t even know how I would’ve seen it. Julie Christie and Donald Sutherland play John and Laura, a couple whose young daughter has recently drowned. To help them put the incident behind them, they place their son in a private boarding school (um? Flash forward 20 years, “Yes, it was very traumatic that my overly protective parents sent me to a boarding school after my sister’s death.”) and move to Venice while John works on restoring a church. This is not the bustling sunny, touristy Venice, nor a flooded Venice, but a foggy, wintery Venice being empty of visitors, feels abandoned and decrepit. In other words, creepy. During their stay they encounter two English ladies, one of whom is psychic and claims to see their daughter in her little red raincoat. This being a Nicholas Roeg film it also has a slightly disturbed and famous sex scene between Sutherland and Christie which is edited to show them before, during and after their lovemaking (which is very reminiscent of how Steven Soderbergh edited a scene in Outta Sight). The overall effect of this film is a very 70s eeriness or weirdness rather than anything really scary.
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