The Calm Before ‘The Tree of Life’
It’s the film that some claim say drove Days of Heaven director Terrence Malick into seclusion for 20 years after ambitiously helming pre-production on a screenplay titled Q in the summer of 1978. When he returned to the director’s helm to complete The Thin Red Line 20 years later, it was as though he merely checked out for a quick cigarette before stepping back in and returning to work as normal.
Q, a 250-page script that playwright/actor Sam Shepard called “brilliant, but virtually unfilmable” was to be peopled by multiple characters amid a Middle Eastern location set during World War I. Malick hired an assistant to scout potential locations, dispatching second unit cameramen around the globe to capture naturalistic scenes that would somehow seem convincing enough (in a pre-CGI-era) to pass for prehistoric earth. Malick also had Francesco Lupica on the back-burner, hiring him to create a spacey film-score of sonorous chimes and drones. Lupica was a Venice Beach musician known for conjuring hippy trance sessions with his Cosmic Beam Experience (whom Malick would visit for private concerts after stressful days of dealing with Paramount and the tension of uneasy film crew members, the request always the same—“Francesco, I need me some beam.”). He prepared the ‘score’ before finding out that Malick had disappeared. He did not hear from the filmmaker again until 1997, when he was sought out to contribute to his new film.
Read more »
Labels: film