Seen in September

Rocky and Rylan in Project Hail Mary
End of summertime viewing. The beginning of the fall schedule. Remember when TV had seasons? No? Don't worry, it never mattered much. For the first time in a long time I saw a couple of Toronto International Film Festival mantinees. I thought the cost of tickets would deter the crowds but that didn't seem to happen ("gala" screenings cost over a $100 a seat, while "regular" old films in the festival went for about $35). One great thing about seeing a movie during a festival is actually the audience, not the film itself. Everyone is usually into it and are up for whatever they're about to see, and that feeling might be worth the cost of admission.
Project Hail Mary
Prime Video
Ryan Gosling saves the world, and then another world. Rylan Grace (Gosling) wakes up on a spaceship with temporary amnesia (presumably caused by the hibernation process he’s just woken from) and pieces together what led to his predicament. The predicament is that he’s the only surviving astronaut sent to find out what is killing our sun. This sci-fi story is from Andy Weir, the author of The Martian, so it’s a fun mix of actual science and actual fiction. Along the way, we discover Grace wasn’t really the typical hero you might expect sent to save the Earth. He also meets and collaborates with an alien who he nicknames Rocky based on the alien’s appearance. There are a lot of fun “what-ifs” and set pieces that have a satisfying (if slightly open) ending.
Pompeii: Out of Time
Disney+
Did you know Tom Hiddleston studied Classics and learned Latin at university? Well, now you do because he won’t shut up about it. Hiddleston’s interest in antiquity and the real human tragedy of Pompeii is at the core of this limited series that walks us through the volcanic explosion that led to the loss of the Roman cities of Pompeii and Herculaneum.

The plaintiff.
Coyote vs Acme
This movie, based on a one-page comedic short in the New Yorker, Coyote v. Acme, was highly anticipated, if only just to see it make it to theatres. A contemporary financial strategy of studios like Warner Brothers has become to burn millions of dollars making a film only to decide the result is more valuable as a tax write-off. I suppose the calculus is that instead of paying for marketing and distribution, you simply shelve the film and use the cost to balance the books. Fortunately, that business-savvy cynicism lost out in this case as Hollywood creators let fans know this is a good film and deserved better than being a line item in an accountant’s ledger. As a fan of Looney Tunes, I enjoyed seeing the cast of characters come back to life in a Roger Rabbit-like movie that had cartoons living among live-action actors. One thing I didn't like was the washed out colouring of the film. I assume that was a choice to make the cartoon characters pop more on screen but I would say it gave the entire movie an unappealing pallor. It is amazing to me that Warner’s has squandered these characters in a way that, say, Disney or the Muppets never would. We find Wiley E. Coyote convincing a small claims lawyer to take on the Amazon-like mega corporation, ACME, in a civil suit. Is Wiley really looking for reparations, or is his genius-level scheming something more? As one reviewer said, this might be the most surprising anti-corporate film of the year.






